Indigenous Cinema Alliance Announces 2026 Membership, Market Strategy & Fellowship Cohort

L to R 1st row: Brooke Collard, Jacqueline Olivé, Libby Hakaraia, Marc Fussing Rosbach, Sadetło Scott

L to R 2nd row: Princess Daazhraii Johnson, Johannes Vang, Sara Beate Eira, Katsitsionni Fox

Canada | Sápmi | Ecuador | Aotearoa | Australia | USA| Greenland – The Indigenous Cinema Alliance (ICA) is proud to announce its refreshed 2026 membership network, market strategy, and ninth Fellowship cohort as it enters a new phase of global industry engagement supporting Indigenous filmmakers and producers.

2026 Membership Update

The ICA welcomes the Māoriland Film Festival (Ōtaki, Aotearoa New Zealand) back to the Alliance after a six-year absence. A founding member, Māoriland is one of the world’s leading Indigenous film festivals and a central creative hub for Māori and global Indigenous storytellers.

New to the Alliance is Ngā Aho Whakaari / Māori in Screen (Aotearoa New Zealand), the national organization advocating for Māori practitioners, industry leadership, and screen storytelling.

Returning ICA members include:

  • imagineNATIVE Film + Media Arts Festival (Canada) – continuing as ICA project lead

  • International Sámi Film Institute (ISFI) (Sápmi/Norway) – expanding its contribution

  • 4th World Media (Turtle Island)

  • MULLU (Abya Yala)

  • Winda Film Festival (Australia)

  • Film.gl (Greenland)

  • Pacific Islanders in Communications (Hawai‘i)

2026 Market Strategy & Activities

After marking a decade of activity at the European Film Market (EFM) in Berlin in 2025, the ICA will shift its primary 2026 focus to the inaugural TIFF: The Market (10–16 September 2026), the Toronto International Film Festival’s new film, series, and innovation market. This event is set to become a significant global platform for creators and rights-holders across film, television, and immersive media.

Importantly, the ICA will maintain its long-standing relationship with EFM. While TIFF: The Market will serve as the Alliance’s central market activation in 2026, ICA members and Fellows will continue to engage with EFM as part of ongoing co-production, distribution, and sales pathways established over the past decade.

Recognising the demand for short-form opportunities for Indigenous producers, the ICA will also attend the Clermont-Ferrand Short Film Market (France) for the first time. Clermont-Ferrand is the world’s largest short-film marketplace, hosting 4,000+ accredited professionals from 88+ countries and showcasing 7,500+ recent titles.

2026 Fellowship Cohort

The ICA’s ninth annual Fellowship cohort brings together producers and industry professionals from across its membership. Fellows participate in training, networking, and targeted market programs aligned with their development trajectories.

Confirmed Fellows to date:

  • Brooke Collard (Ballardong Whadjuk Noongar) (Winda Film Festival)

  • Jacqueline Olivé (Tongan) (4th World Media)

  • Johannes Vang (Sámi) (ISFI)

  • Katsitsionni Fox (Mohawk Nation from Akwesasne) (4th World Media / Indigenous Screen Office)

  • Libby Hakaraia (Ngāti Raukawa, Ngāti Kapu, Ngāti Toa Rangatira) (Māoriland)

  • Marc Fussing Rosbach (Inuk) (Film.gl / Arctic Indigenous Film Fund)

  • Princess Daazhraii Johnson (Neets’aii Gwich’in) (4th World Media / Arctic Indigenous Film Fund)

  • Sadetło Scott (Tłı̨chǫ Dene) (imagineNATIVE / Arctic Indigenous Film Fund)

  • Sara Beate Eira (Sámi) (ISFI / Arctic Indigenous Film Fund)

Fellows will engage with one or more ICA market programs—Clermont-Ferrand, EFM, or TIFF: The Market—depending on individual project needs and goals. Additional Fellows will be announced ahead of TIFF.

Partnerships & Funding

The ICA continues to receive support from the Canada Media Fund (CMF), the Indigenous Screen Office (ISO), and Telefilm Canada, and will collaborate closely with all three funders leading up to TIFF: The Market.

Quotes

David Morrison, Associate Director of imagineNATIVE and ICA Project Lead:

“Indigenous storytelling does not wait on the sidelines. By convening at both feature and short-form markets, and by strengthening our network with returning and new members from Aotearoa, we are expanding opportunities for Indigenous producers and ensuring that our stories are seen, valued, and traded on equitable terms.”

Kay Ellmers, Executive Director of Ngā Aho Whakaari:

“Ngā Aho Whakaari is honoured to join the Indigenous Cinema Alliance. At this pivotal time, Indigenous storytellers are taking centre stage to reshape narratives, reclaim language and culture, and challenge colonial frameworks. We look forward to contributing to this collective, sharing expertise and learning with others who share our vision for a vibrant Indigenous screen future.”

Frida Muenala, Film Coordinator at MULLU:

“In Ecuador, Indigenous peoples face resource extraction, violence, and disregard for their collective decision-making and visions of wellbeing. Yet we keep creating, filming, and defending our way of life. ICA’s support highlights the importance of territorial defense and strengthens our commitment to justice, representation, and self-determination in cinema.”

About The Indigenous Cinema Alliance

The Indigenous Cinema Alliance (ICA) strengthens global Indigenous cinema by creating culturally safe professional spaces, fostering international connections, and supporting co-production, distribution, and market opportunities. The Alliance also assists with international sales strategies for Indigenous titles, ensuring projects secure the proper representation and reach worldwide audiences with integrity.

For all ICA press requests, contact: Ry Levey | RBL Films and PR | 647-781-0818 | rylevey@gmail.com